Blog

Streets ahead

While I predominantly point my camera at seascapes and landscapes, I really love street scenes and love poring through street photography books. Like many others though, I have an unease about photographing random people. It's a matter of being discrete and unobtrusive. Camera gear also has a bearing on that discreetness. No one would feel comfortable seeing a lens the size of a telescope being pointed at them. Phone cameras make it a lot easier as do small cameras and small camera/lens combinations. 

Anyway, before taking to the street, let me tell you a cautionary tale about getting too close to a raging surf. This morning I was on Mount Maunganui Beach getting up close and personal with a raging surf. As a bit of a rogue wave washed ashore I walked backwards quickly and oopsie, did a Frank Spencer

Betty: Frank, what are you doing?

Frank: Taking photos on the beach

Betty: Will you please stop it, you'll do your self an injury

Frank: I told you yesterday I'd like to try out some new positions

Betty: I wasn't quite sure what you meant?

I fell backward over the top of a very large rock. The outcome was the rear end of my camera partially buried in wet sand and me with an elevated level of embarrassment. Fortunately I was the only idiot on the beach. Did I get any photo's apart from one flat on my back?

Wild weather. Mount Maunganui Beach, Tauranga, NZ. 23 July 2016 1/400sec, f/4.5, ISO 200

Wild weather. Mount Maunganui Beach, Tauranga, NZ. 23 July 2016 1/400sec, f/4.5, ISO 200

Well, yes, I did manage to get a couple of photos. Its probably not a good environment for a camera. Salt spray is not kind to many objects but sometimes you do these things as a deranged photographer to add that little bit extra to the photo.

So, back to street photography. Unlike landscape, seascape, or still life, you never know just what you will see walking the streets.

Sydney, Australia. May 2016. 1/500 sec, f/3.5, ISO 200

Sydney, Australia. May 2016. 1/500 sec, f/3.5, ISO 200

When I walked around a corner one day on the summit of Mauao, Mount Maunganui, I couldn't believe what I was seeing taking place between a rock and a hard place 230 metres directly below. Talk about extreme yoga!

"It's yoga, but not as we know it Jim". 1/500 sec, f/4.0, ISO 80

"It's yoga, but not as we know it Jim". 1/500 sec, f/4.0, ISO 80

I couldn't get my camera out fast enough! There wasn't much time to check settings, so I just took the photo and fortunately it came out pretty good. This is an example of 'a fleeting moment' in street/people photography, where that special shot isn't going to hang around while you have a sandwich before getting the camera out.  

You are seldom the only one about with a camera. In the photo below a well known local photographer made a guest appearance in the background of this photo I took at a Diwali Festival in my city last year.

Caught on camera. Diwali Festival, Tauranga, NZ. 1/320 sec, f/3.5, ISO 200

Caught on camera. Diwali Festival, Tauranga, NZ. 1/320 sec, f/3.5, ISO 200

There is such a wealth of opportunity in street photography and if you have an interest in it, then keeping an eye on upcoming events and festivals creates more and often special photo opportunities that you'd not normally see day to day.

'Where were you in '62?' Wheels on Mainstreet, Mount Maunganui, Tauranga. 1/250sec, f/4.0, ISO 200

'Where were you in '62?' Wheels on Mainstreet, Mount Maunganui, Tauranga. 1/250sec, f/4.0, ISO 200

Its not always at street level. This is the roofline of a police station in Paris, France.

'The Magnificent Seven'. Paris, France. 1/800sec, f/3.5, ISO 80

'The Magnificent Seven'. Paris, France. 1/800sec, f/3.5, ISO 80

So there is a lot of colour to be had out there in our towns and cities. Its the colour of life.

'The colour of life'. Tauranga, NZ. 1/250sec, f/2.2, ISO 200

'The colour of life'. Tauranga, NZ. 1/250sec, f/2.2, ISO 200

The week that was

Last weekend while taking the beach route alternative home from the local shopping plaza, I thought I'd hang around in the bitterly cold southerly chill for another 15 minutes on the off-chance that the sunset may produce a scene worth photographing. Even our dog started crying about the cold! It didn't look promising but as the reflections of the setting sun started to light up a stormwater outflow stream I thought something special may just happen. For just a few glorious fleeting minutes, land and sky were bathed in the most beautiful light.....and there was the picture. This photo which I loaded to my Facebook photography page has to date been seen by nearly 74,400 people and has been shared 505 times. I have had comments from several countries and it has certainly brought pleasure to locals and so many ex locals and others who have made the decision to relocate to this beautiful part of our beautiful country.

Sunset on Papamoa Beach, Tauranga, NZ. 16 July 2016. 1/320sec, f/7.1, ISO 200

Sunset on Papamoa Beach, Tauranga, NZ. 16 July 2016. 1/320sec, f/7.1, ISO 200

A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone, and a torn cloud, like a bloody rag, hung over the spot of it’s going. And dusk crept over the sky from the eastern horizon, and darkness crept over the land from the east.
— John Steinbeck, The Grapes of Wrath

If you'd like to be emailed blog update notifications contact

chris@christaylorphotography.net

Until next time..................

 

 

 

 

In the (not so) bleak mid-winter.

As I write this, my Facebook photography page now has more than 2200 followers which is very humbling. I'm thrilled so many people admire my photography. It is not easy to build a profile like this on Facebook these days, requiring a lot of patience, interaction and acknowledgment of followers comments and questions. My philosophy is that if people take the time to comment or ask questions then they deserve respect, recognition and thanks. From the comments I get, many images invoke quite an emotional response and connection especially to those who are living away from 'home'. In the end, my pleasure is in bringing pleasure to others to the extent that they want to follow my photography feed and it's a lot better to consume, even gorge on, from a health perspective, than junk food (although I have no scientific evidence to support my claim).

I was intending to focus on street photography in this update but the not so bleak winter has afforded some great photography opportunities. We have been fortunate that the most glorious summer in decades was followed by a beautiful warm autumn and now a mild winter with some stunning clear, sunny, calm, crisp days, although when it has rained it has really rained. I love the dawn and dusk tones at this time of year. It may be an illusion but they seem to take on richer deeper tones than in the days of summer. I find it quite mesmerising at times. I feel like there is an unseen energy at work, a kind of spiritual thing.

The following photo was taken on the coldest morning this year. At the time I took the photo it was a finger tingling toe tapping 2degC, but the cold is bearable when you see what you wouldn't have seen if still tucked up cozily under the duvet.

First light, Mount Maunganui Beach, Tauranga, NZ 2 July 2016. 1/100sec, f/4, ISO 200

First light, Mount Maunganui Beach, Tauranga, NZ 2 July 2016. 1/100sec, f/4, ISO 200

Its undeniably a little hard to get up from a warm bed and venture out early under a dark star splattered sky on a frosty weekend morning with the intention of photographing the first light of the new day. I can say it's much harder after a couple of wines the night before. What drives me (apart from the car)? Well, it's not putting the previous night's wine bottle out in the recycling bin, letting the dog out, or opening the curtains. It sort of includes milking the weekend for all its worth and from a photography perspective it's the anticipation of what may come. Will the new day take to the stage in a blaze of glory? Will I click the shutter button and think 'that's the one!' It's such a wonderful feeling to come away thinking that I got a 'money shot'. 

First light, first flight. 1/500sec, f/10, ISO200

First light, first flight. 1/500sec, f/10, ISO200

Over many years I have climbed to the summit of Mauao (Mount Maunganui) hundreds of times, more than my aching legs would care to remember. At one stage it was 2-3 times a week, but then I had an attack of commonsense and now go up there just once a week, usually at dawn on a weekend morning and taking the steepest route. The weather and the light is always different and the views are truly spectacular. I have been up there in screaming gales, torrential rain, and on the calmest sunniest of days. The torrential rain experiences; well they have been by accident rather than intention; a result of miscalculating the chances of rain.

New day in the bay. Sunrise from 230 metres above coastal Mount Maunganui, Tauranga, NZ. 1/160sec, f/13, ISO 1250

New day in the bay. Sunrise from 230 metres above coastal Mount Maunganui, Tauranga, NZ. 1/160sec, f/13, ISO 1250

Its a fantastic spot to gorge on sunset. For a few minutes everyone seems transfixed by that beautiful stage show as the sun sinks in the west behind the Kaimai Ranges. I have been there as dusk closes in, when the only sounds have been the distant surf and the call of Morepork owls.  It's absolute magic.

Contemplation as the sun sinks below the Kaimai Range in the Western Bay of Plenty, NZ. 1/400 sec, f/9, ISO 200

Contemplation as the sun sinks below the Kaimai Range in the Western Bay of Plenty, NZ. 1/400 sec, f/9, ISO 200

As previously mentioned, the beauty of a clear, calm, cold winter dawn is in the colours. I always scope the scene for some sort point of interest. Of course I live in hope of a whale breaching, a pod of dolphins or orca, or an alien spacecraft appearing just for me. Well, hope springs eternal. In the following photo as luck would have it, a kayaker seeking a taste of arctic paddling appeared and gave me an added focal point.

I have been guilty of not using one of my most expensive and critically acclaimed pieces of camera gear, the superbly built Panasonic Leica DG Nocticron f/1.2 lens. This beautifully engineered lens is primarily designed for portrait and street photography and with a f/1.2 aperture has fantastic light gathering ability in low light situations. I love just looking at it, let alone taking photos with it. As a portrait lens it is sublime. I decided having re-read reviews that I'd use it almost exclusively for a while over a few weeks and test its ability with sunrise and sunset photography. I'm stoked with the fantastic results. I was blown away by just how good it was when I decided to use it for a recent sunrise expedition.

Dawn kayaker. Mount Maunganui, NZ. 1/320sec, f/7.1, ISO 200. Olympus O-MD E-M1 & Panasonic Leica DG Nocticron 42.5mm f/1.2 lens.

Dawn kayaker. Mount Maunganui, NZ. 1/320sec, f/7.1, ISO 200. Olympus O-MD E-M1 & Panasonic Leica DG Nocticron 42.5mm f/1.2 lens.

So, it has indeed been a not so bleak winter to date. We are past the winter solstice now and slowly but surely the daylight hours will lengthen and hopefully the power bills will start reducing. I intend to produce a 2017 calendar and am in the process of choosing images for each month. I'm also looking at other options for foisting my photos on the world. Aside from that I'm trying to go dairy free. The good thing is, that it won't preclude me from photographing cows, should I be so inclined.

Until next time.....

If you'd like to subscribe to this blog automatically by email, email chris@christaylorphotography.net

 

  

 

 

 

 

 

 

What poverty?

Some time back I read about Eastwoodhill Arboretum. Eastwoodhill is about 34km's inland from Gisborne City in Poverty Bay, Eastland. The Arboretum which comprises some 131 hectares, contains the largest collection of northern hemisphere trees growing south of the equator. It is renown for its brilliant autumn colour display. The best time to go is in mid-May but I had to shift the original travel plan back to June. Margie and I set out on a road trip to the east coast last weekend. It is winter so we knew there was a risk of rubbish weather in which case we would have shelved the trip. As it turned out the long weekend weather was glorious. We set off on a 260km road trip under big blue skies. Brunch stop was Ohope Beach in the eastern Bay of Plenty. Ohope holds the AA (Automobile Association) title of New Zealand's most loved beach as voted by members.

Ohope Beach, Eastern Bay of Plenty, NZ. iPhone6s

Ohope Beach, Eastern Bay of Plenty, NZ. iPhone6s

The drive eastward from Ohope skirts the Ohiwa harbour and the Bay of Plenty coast to Opotiki where it really does start feeling like you are about to enter sparsely populated country. From Opotiki there is a right hand turn towards the Waioeka Gorge. The 144km drive through the Waioeka Gorge on a twisting highway under a cloudless sky is one of the most scenic of road trips through densely forested country and the Raukumara Ranges which separate the Bay of Plenty and Eastland. 

Waioeka Gorge, Eastern Bay of Plenty, NZ. iPhone 6s. 

Waioeka Gorge, Eastern Bay of Plenty, NZ. iPhone 6s. 

Emerging on the east coast the landscape becomes noticeably different with brown hues replacing the greens. The road snakes down through the foot hills and across flat land towards Poverty Bay and Gisborne, 'the Chardonnay capital'. Bush gives way to sheep and vineyards, or dinner and wine (see photo below).

Dinner and wine. Gisborne, the 'Chardonnay Capital' of New Zealand. iPhone 6s.

Dinner and wine. Gisborne, the 'Chardonnay Capital' of New Zealand. iPhone 6s.

With high sunshine hours and hot summer days, fertile clay loam soils and some of the most acclaimed winemakers in the country, Gisborne is famous for producing exceptional Chardonnay, Gewurztraminer, Viognier, Pinot Gris, Merlot and Malbec (gisbornewine.co.nz). 

Our accommodation was adjacent to Sponge Bay, about 5kms north of Gisborne. After a few hours in the car we were keen to get out and go for a walk, so walk to Sponge Bay we did. The sun was sinking towards the western horizon and the cliffs were bathed in warm evening light. The so called 'golden hour' is my favourite time to photograph. We seem instinctively drawn to the warmth of the light at sunrise or sunset. 

Sponge Bay, Gisborne, NZ. 1/400sec, f/9, ISO 200

Sponge Bay, Gisborne, NZ. 1/400sec, f/9, ISO 200

Sponge Bay is a sandy/rocky bay and clearly a driftwood magnet. It looked like the tide was fairly well in when I took this photo. 

After darkness fell I went into Gisborne city to get a few food items and also found a pizza place where the extra large pizza size could easily have provided adequate shelter in a rainstorm for anyone who might feel inclined to balance the pizza on their head, and I guess if it was raining heavily you'd be silly not to (and silly if you did). Honestly, it was the widest pizza I can recall seeing.

Next morning I got up before daylight and headed for Wainui Beach hoping to get a nice sunrise photo or two. I wasn't disappointed. It must have been only a couple of degrees C above freezing. My fingers had lost any feeling and I struggled with the camera controls and setting up a tripod. Still perseverance paid off.

Wainui Beach, Gisborne. 1/125sec, f/5, ISO 200

Wainui Beach, Gisborne. 1/125sec, f/5, ISO 200

Gotta love that wave. Dawn at Wainui Beach, Gisborne. 1/400sec, f5.6, ISO 200

Gotta love that wave. Dawn at Wainui Beach, Gisborne. 1/400sec, f5.6, ISO 200

Mid-morning we drove inland to Eastwoodhill Arboretum. It's a terrific place for families with a myriad of walks for different abilities and great kids play areas. We did get frustrated with lack of directional signage within the arboretum. Would be fine if you were highly skilled at orienteering. We had missed the best colours of autumn but there was still enough to satisfy.

Eastwoodhill Arboretum, Gisborne, NZ. 1/160sec, f/5, ISO 800

Eastwoodhill Arboretum, Gisborne, NZ. 1/160sec, f/5, ISO 800

From here we drove 12km's further into nowhere to the quite spectacular Rere Falls on the Wharekopai River.  

Rere Falls, Gisborne, NZ. 1/20 sec, f/11, ISO 800

Rere Falls, Gisborne, NZ. 1/20 sec, f/11, ISO 800

Back to Gisborne and a walk along the coast and river and through the city. Gisborne has a laid back quiet feel to it and is very easy to get around. The river walk is beautiful. 

Turanganui River, Gisborne, NZ. 1/320sec, f/9, ISO 200

Turanganui River, Gisborne, NZ. 1/320sec, f/9, ISO 200

As the sun slipped towards the west we drove up Kaiti Hill with the intention of doing some sunset photography as well as just soaking up the magnificent panoramic views from Poverty Bay and across the city to the surrounding hills.  

Gisborne at dusk. 1/60 sec, f/4, ISO 200

Gisborne at dusk. 1/60 sec, f/4, ISO 200

Gisborne has a rich history being the first place British mariner and explorer James Cook stepped ashore in October 1769 having sailed from Tahiti in search of a great land mass or continent in the southern ocean. I guess he found that further west with Australia! Anyway it was in Gisborne that he met local Maori and misunderstandings led to several deaths and no fresh water or provisions were obtained by Cook. Thus he named the area Poverty Bay. It is widely regarded that this interaction between these European visitors and Maori marked the beginnings of the nation.

With its its warm sunny climate, fertile land, wineries galore, beautiful beaches and a city with much history and character this is a great destination in a very remote part of the country.  The alternative or optional drive up around East Cape to or from Bay of Plenty traverses the most beautiful coastline and is also a must do, but to do it justice it needs to be taken at a leisurely pace over a few more days. You'd have to be pretty miserable not to enjoy this beautiful region in this beautiful country. Poverty Bay? A misnomer.

 

 

You light me up

Sydney Opera House in the shadow of the harbour bridge in the very last light of day. 27 May 2016. 1/320sec, f/5, ISO 200 

Sydney Opera House in the shadow of the harbour bridge in the very last light of day. 27 May 2016. 1/320sec, f/5, ISO 200 

I have been very fortunate to have enjoyed a few holidays in Australia over the years. Love it every time and for a city break Sydney is terrific. It would be fair to say that getting there this time was far from simple with a chain of events following the cancellation of the flight from home to Auckland. Amongst it all we even ended up with an unknown persons luggage in our car boot. But we won't go there. It was stressful enough at the time without reliving it.

Dusk from Cremorne Point, Sydney. 22 May 2016. 1/40 sec, f/4, ISO 800

Dusk from Cremorne Point, Sydney. 22 May 2016. 1/40 sec, f/4, ISO 800

Sydney Opera House and Harbour Bridge in sunset silhouette. 23 May 2016. 1/800sec, f/9, ISO 200 

Sydney Opera House and Harbour Bridge in sunset silhouette. 23 May 2016. 1/800sec, f/9, ISO 200 

 

At this time of year the Vivid Sydney light festival runs for 21 days. The festival expands more each year and the illuminations after dark are amazing and a must see. This is the second time my travel has coincided with Vivid.  

Circular Quay, Sydney, 28 May 2016. 1/3sec, f/2.8, ISO 800

Circular Quay, Sydney, 28 May 2016. 1/3sec, f/2.8, ISO 800

Sydney Harbour Bridge. 6 sec, f/7, ISO 1000

Sydney Harbour Bridge. 6 sec, f/7, ISO 1000

 

My my other real love of Sydney is the plethora of coastal and harbour walking tracks and the ease of getting to these places via a very efficient public transport system.  I can highly recommend the inner harbour walk from Spit Bridge to Manly, and the coastal Watsons Bay to Bondi, and Coogee Beach to Bondi walks. On the Watsons Bay to Bondi walk we saw a couple of humpback whales breaching but they were very distant. It is from about now that they are seen migrating north towards the tropical Pacific and Coral Seas.

My sister Rose (left) and my wife Margie (right)

My sister Rose (left) and my wife Margie (right)

I can never go to Sydney without a visit to Fourth Village Providore in Mosman. What a visual and aural sensory delight it is. It is a food market and restaurant with a huge range of local, imported and fresh produce and delectable deli items. Its like the world of food in one shop. I could happily live in it, or certainly camp outside on the footpath hoping kindly shoppers might throw me a fine cheese on a cracker with one of the multitude of mouth watering relishes. I also love David Jones department store's lower floor food hall in the central city. I think I would have loved to have worked in and or owned a gourmet food place.   

While in Sydney I took the opportunity to acquire the Olympus MC-14 teleconverter. Made specifically for the 40-150mm f/2.8 PRO lens, it extends that lens's zoom capability by another 40%. I tested it out when taking photos of surfers at Bronte & Bondi Beach. From a considerable distance the lens and teleconverter combination produced very satisfying results. As the teleconverter has a negative impact on the light gathering ability of the lens I would not contemplate using it in low light situations. I bought the teleconverter from Gerry Gibbs Camera in Perth and had it delivered to Sydney. It was half the cost of buying at home. I don't especially like the camera shop options in Sydney. From personal experience they remind me of the rip-off camera outlets in San Francisco with similar sales tactics.

Olympus 40-150mm f/2.8 PRO lens with Olympus MC-14 x1.4 teleconverter fitted. 

Olympus 40-150mm f/2.8 PRO lens with Olympus MC-14 x1.4 teleconverter fitted. 

Well, the warmest autumn on record in this region has departed the stage and left the fridge door very wide open as winter has not been shy in announcing its arrival. It's the time of year where my photography gear suffers from SAS (seasonal adjustment syndrome) and doesn't venture out except for a spot of weekend work. However, hopefully it will get a bit of exercise this weekend as I plan to capture the last of the autumn colour at Eastwoodhill Arborium over in Gisborne on the east coast and hopefully a few other scenes along the way.