While not 100% obvious (well maybe 99%) obvious, my camera and I are not only an item, but are drawn to the seductive call of coastal locations. I don't think I could ever live far from the coast unless there was a lake or a river nearby. The restless sea is ever changing in its moods, it's sounds, and in the variable light and patterns that fall upon it. Sand, sea water and salt laden air arguably don't do much for camera longevity but they sure provide for endless photo opportunities.
It may be that my love of the coast was born of many holidays around Charteris Bay and Lyttelton Harbour, Christchurch when I was a kid, or many days at New Brighton Beach, or Sumner Beach, or holidays at Kaikoura, the Marlborough Sounds, or Nelson. In this country the coast is generally never really far away. As a teenager my home for a few years was a few hundred metres from North Beach in Christchurch. Always loved the distant sound of the surf at the end of our street. I know those dunes could tell a tale or two.
I am fortunate to live adjacent to one of the most beautiful coastlines in a country rich in beautiful coastlines. The Bay of Plenty is a climatically favoured region and is a magnet for summer holiday makers. Living here feels like being on holiday.
While I enjoy walking the beach camera in hand, I think our dog Toby is in canine ecstasy when let loose on the sands. Being near to black in contrast to the glare of the beach makes for challenging dogtography. I took this photo by having him sit while I stepped backward for some distance, set the camera and gave him the signal to get those little legs pumping. He is running toward me at considerable speed and a 1/1600 shutter speed did a pretty good job of stopping him in his tracks.
The coast presents many challenges and many rewards for camera toters. The contrast between sea and sky, the amount of wave action, the amount of available light, glare, salt air, bikini wearers, and the ever present risk of frying camera gear in salt water.
Both aperture and shutter speed may need frequent adjustment when faced with capturing or freezing movement such as wave action, adding in surfers or kite surfers, fast moving boats such as surf club inflatables, swimmers, people running, moving vehicles on the beach, gulls, sea mist, noon day sun, sunrise, sunset, stormy weather etc.
At times its just magic in its simplicity. Nothing going on in the next photo but I was attracted to the blues, whites, lines and symmetry.
In the high UV days of summer I'm not a fan of toasting on the beach in the noon day sun and the light at that time of day is not as conducive to photography as the warm light at each end of the day. Sunset is my favourite time. The benefit it has over dawn, as much as I like sunrise, is that I don't have to get out of bed for it. The aspect I like about sunset time is not really knowing just what sort a show is about to take to the stage. If there was a TV series called 'Sunsets Got Talent' then some would get the judges 'off the stage' buzzer pretty quickly, while others would get 'the golden buzzer'. Sometimes I wouldn't get the camera out, other times I can't get it up and running fast enough. One aspect that I silently remind myself to do is take time to enjoy watching the sunset rather than photographing it.
And the seasons come and go
As someone who may suffer just a touch of seasonal adjustment depression, its always great to move past the winter solstice and the slow but certain increasing daylight hours which will become noticeable by August. Last weekend saw the annual polar plunge held at many beach locations around the country. The one below was down the road adjacent to the local surf lifesaving club. A good thing that bronze whaler sharks, a common sight along the coast here in summer move into deeper water. Anyway, some hardy souls celebrated the solstice with a race to immerse themselves in a relatively warm 17C ocean.
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Until next time..............